Spellbound Records
Favoriten
SUPERTRAMP

CRIME OF CENTURY

VINYL: NM - FLAWLESS // COVER: NM - CLOSE TO MINT - SPINE MINOR BLEACHED

Artist: SUPERTRAMP
Label-ID: Mobile Fidelity Sound Lab – MFSL 1-005, A&M Records – MFSL 1-005
Erscheinungsjahr: 1978
Zustand / Grading: NM / VG ++
Musikrichtung: Rock
Artikelart: LP
Zuordnungskriterium: Vinyl Vault
Artikelnummer: A0000000233
Auf den Merkzettel
259,99 €
inkl. MwSt., zzgl. Versandkosten
Label:
Mobile Fidelity Sound Lab ‎– MFSL 1-005, A&M Records ‎– MFSL 1-005
Serie:
Original Master Recording –
Format:
Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Stereo
Land:
US
Veröffentlicht:
1978
A1 School 5:35
A2 Bloody Well Right 4:26
A3 Hide In Your Shell 6:52
A4 Asylum 6:30
B1 Dreamer 3:19
B2 Rudy 7:07
B3 If Everyone Was Listening 4:05
B4 Crime Of The Century 5:20
Plattenfirma – Mobile Fidelity Sound Lab, Inc.
Lizenziert durch – A&M Records, Inc.
Vertrieb durch – Mobile Fidelity Sound Lab
Hergestellt durch – Mobile Fidelity Sound Lab
Phonographisches Copyright ℗ – A&M Records, Inc.
Aufgenommen bei – Trident Studios
Aufgenommen bei – Ramport Studios
Aufgenommen bei – Scorpio Sound
Veröffentlicht durch – Almo Music Corp.
Veröffentlicht durch – Delicate Music
Veröffentlicht durch – Rondor Music (London) Ltd.
Gepresst durch – Victor Company Of Japan, Ltd.
Mastering bei – Victor Company Of Japan, Ltd.
Acetat-Lack-Schnitt von – JVC Cutting Center
Arranged By [Strings] – Richard Hewson
Art Direction – Fabio Nicoli
Bass – Dougie Thomson
Design [Sleeve], Photography – Paul Wakefield
Drums, Percussion – Bob C. Benberg
Engineer – John Jansen, Ken Scott
Lacquer Cut By [Half Speed Master Lacquers By] – Stan Ricker
Lacquer Cut By [Runout Etch] – SR*
Producer – Ken Scott, Supertramp
Saxophone, Clarinet, Vocals – John Anthony Helliwell*
Vocals, Guitar, Piano – Roger Hodgson
Vocals, Keyboards, Harmonica – Rick Davies
Written-By – Richard Davies and Roger Hodgson*
Sleeve :

Original Master Recording.

To Sam

All songs published by Rondor Music (London) Ltd. and Delicate Music Ltd,
Controlled in the U.S. and Canada by Almo Music Corp. (ASCAP)
Recorded at Trident, Ramport Studios and Scorpio Sound, London
between February and June, 1974.

Half Speed Master Lacquers by Stan Ricker, JVC
Imported High Definition Vinyl
Static Free Inner Sleeve
Manufactured and distributed by
special license from A & M Records, Inc.
by the Mobile Fidelity Sound Lab.

Labels :

Original Master Recording™
All selections published by Almo Music Corp./
Delicate Music (ASCAP)
Manufactured and distributed by the Mobile
Fidelity Sound Lab under license from
A&M Records, Inc.
Stereophonic
Pressed in Japan.

℗1974 A&M Records, Inc.

Inserts :

‘Superdiscs / Supertapes / Superstars / Super Quality’ reads :

Positively Limited Editions - Limited Supplies
Original Master Recordings™
P.O. Box 919 - Chatsworth, CA 91311 - (213) 993-4945

‘An Audiophile’s Dream Come True!’
Mobile Fidelity Sound Lab, proprietor of ”Original Master Recording(s)” (trade-mark),... We guarantee not to exceed more than 200,000 copies of any release. The disc cutter turntable is driven at 16⅔ rpm, and the master tape is played at exactly one-half the actual recorded speed. This half-speed disc cutting method allows the cutting stylus twice as much time to carve an accurate groove. Because our entire transfer chain (from tape deck to cutting head) is transformless,... We do not employ limiting or compression. We recently incorporated the Ortofon master disc cutting system... Our plating... Currently, the Victor Co. of Japan (JVC) performs this most arduous task... The Victor Co. of Japan (JVC) is the sole producer of this vinyl and also presses our discs.

mobile fidelity sound lab (logo)
a division of MFSL, Inc.
© 1979

‘The key high fidelity component quaranteed to improve any stereo system.’ reads :

Super Jac Heavy Duty Packaging
Super-Fi Super Stars Limited Editions
The Catalog Of Hi-Fi Super Stars (June 1979) from MFSL 1-001 to MFSL 1-020

‘Mastered At’ stands for a ‘Plated At’ role. This company, its pressing role, the record company, the limited edition format and the year of release, are derived from the inserts.

Some cardboard inserts, designed to protect the album, had no printing and were completely blank.